While it contains a steel core, and HarmonicDyne claims “the headband itself is made with several layers of resonant damping polymers,” in practice it feels a bit too plastic and creaky. The construction of the headband is more suitable for a sub-$200 model such as the Helios. A black/walnut model is very likely in the works from HarmonicDyne, but I could be the first to have an all dark version, that I’ll hereby call the ‘Hades’. I’m seriously considering how difficult it will be to liberate the darker wood parts from the Helios and incorporate them into the Poseidon. Also included is a short female 4-pin XLR jack to 6.35mm plug adapter for single-ended use. It’s plain black rubber from the split to the dual 3.5mm plugs. It consists of two strands covered in fabric from the 4-pin XLR plug to the y-split. Even the interior foam and quality of the cutouts are noticeably improved. While the case appears to be essentially identical in construction, the new two-tone black and grey scheme elevates the aesthetics. The case and accessories are all an upgrade over those included with the Zeus. Single-Ended adapter cable (4-pin XLR to 6.35mm TRS).2m Balanced cable (2×3.5mm to 4-pin XLR).The layout, fit, and finish are impeccable. Inside you are greeted with laser cut foam nestling the headphones, an individual serial number plate, case keys, and a storage area containing the cable and soft bag. Unlike cutting tape seams on a cardboard box, unsnapping the buckles on the hard case and lifting the lid never fails to impress. Unboxing the Poseidon gives a real glimpse at the experience of opening a TOTL product. Nothing says self-importance quite like a case like this.
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